
MIFF announced some surprise screenings on the last day. These are films that weren’t part of the festival program and were a mixture of classics – Abbas Kiarostami’s A Taste of Cherry to mark his passing last month – and new films like this New Zealand drama that had just premiered at the NZ Film Festival and been chosen for the New York Film Festival. It’s based on a book by Eleanor Catton, author of the much better know The Luminaries so it has some credentials. Overall it was a pleasant experience though I was left wondering what the film was really about. Continue reading


What a beautiful and sad film. Set in Tibet, we first meet Tharlo (pronounced tarlo), or Ponytail as he is used to being called, as he recites the words of Mao Tse-tung that he learned by heart when he was nine. He speaks of death being inevitable but not all deaths being the same significance; death after serving the people is ‘heavier than Mount Tai’ but death after serving the fascists is ‘as light as a feather’. He is reciting this to the local police chief who remarks that, with such a memory, he had great promise as a child and his forty years as shepherd, building up a small living, is a waste. 


One of the great things about MIFF is that you get to see older films that you can’t easily access. I don’t book many of these as there are so many new films to see but I liked the sound of this 1978 one by director Claudia Weill. It’s a simple story about two room mates, Susan and Annie, whose friendship is tested when Annie moves out and gets married.
Seeing three films in a row is hard, particularly when they are 4pm, 6.30pm and 9pm sessions with only enough time in between to power walk to the next venue. Knowing that the Graduation was a 2-hour Romanian social realist drama, I didn’t have a lot of confidence that I would make it through to the end. I found myself, though, absorbed and swept up in a story about Romania and parenting and regret and acceptance.
A lovely film, beautifully told, this triptych of stories directed by Kelly Reichardt (Meek’s Cutoff) immerses us in the lives of three women, played by Laura Dern, Michelle Williams and a luminous Lily Gladstone (above). Each of the three stories has a small interconnection with the others but stands alone as a meditation on loneliness and the sad reality of our inability sometimes to help others.