This would be a hagiography if Fassbinder wasn’t so unlikeable. Rainer Werner Fassbinder had too much freedom as a child. Rainer Werner Fassbinder had unusual ideas about having sex with your mother. Rainer Werner Fassbinder believed all relationships were power plays. Rainer Werner Fassbinder never grew up. Rainer Werner Fassbinder was a sadistic misogynist. Rainer Werner Fassbinder just wanted to be a father. Rainer Werner Fassbinder was a workaholic. Continue reading
Category Archives: MIFF
Snow Monkey (2015)
StandardThis Australian documentary by war photographer and all round good guy, George Gittoes, could more aptly be titled “I’m George Gittoes and I’m doing really great things for the poor children of Afghanistan.” I’ll say upfront that I don’t really like documentaries where the film maker makes themselves a part of the story. Louis Theroux pulls it off because you can see he is the catalyst for those on the societal margins to feel safe enough to reveal themselves. With others, it often comes across as a vanity project. Continue reading
Magical Girl (2014)
StandardOnly day three and I have seen a 5 star film. This Spanish slow burn thriller seems to be the story of a man wanting to make his dying 12 year old daughter happy by buying her a very expensive designer anime dress. Continue reading
Day three – sore feet and warm necks
StandardMy first four film day and I coped, although I didn’t get home until midnight and it was a bit difficult to drag myself out of bed this morning. There was mediocre – Welcome to Leith (US non-story documentary about white supremacists in rural North Dakota), My Love, Don’t Cross That River (South Korean sentimental documentary about a dying 98 year old man that I couldn’t watch through to the end) – good – Tales (Iranian episodic but engaging drama about the lives of the working class in Iran) – and great – Magical Girl (Spanish slow-burn thriller), my first five star film of the festival. Click through on the links to read my reviews.
I had plans to browse the shops in the morning as my first film didn’t start until 1.30 but instead I spent the morning sitting in the sun in my flat catching up on some computer work, playing a bit of ukulele, drinking tea. I met up with my friend Alex for coffee at Pellegrini’s and then it was pretty much just films and sprinting from one venue to the next until late. The venues vary in comfort and ease of access. The best are the ones with comfy seats and a steep tier so that you get a good view no matter where you sit – ACMI, Kino, Hoyts. The Forum’s not bad, the seats are old but the view is always good. The Comedy Theatre has been the worst experience so far, lovely old theatre but cramped hard seats and sitting near the front meant a cricked neck. Next time I’ll get there early and try the balcony.
Where the sore feet come in to it is when you have a session at Hoyts (Melbourne Central and at the north end of the CBD) and then one at ACMI or the Forum or Kino (right down the other end) and then another one back at Hoyts. And the streets aren’t flat. It’s not just my feet that are sore, also my calves and shins and ankles and thighs and every part of my legs that doesn’t get a work out living on the plains. I will be super fit by the end.
Interesting food experiences: I didn’t buy too much but had a pomegranate black tea with half ice and half sugar from one of many asian tea shops, very nice, and wontons in chilli oil.
The weather has been changeable but I quite like emerging from the dark to rain soaked streets and an icy chill. It’s not long before you’re back inside again. It helps to have a scarf. Alex’s girlfriend Maggie knitted him a scarf for his birthday, finishing it in the lull between My Love Don’t Cross That River and Tales. It was a revelation for him, having a warm neck. It makes such a difference.
Tales (2014)
StandardThe Iranian films were the first ones I booked for the festival. Well, three out of the four screening. I blame the handful of brilliant Iranian films I have seen in the past year – A Girl Walks Home Alone at Night, A Separation, The Past, Crimson Gold, Rhino Season. Of course this means my hopes were high for Tales. It was a little episodic, consisting of loosely linked tales that followed ordinary people as they grapple with the inequities, frustrations and tragedies of life in a country that is faltering. I don’t know the director, Rakhshan Banietemad’s, work but it seems that many of these characters were drawn from previous films. Continue reading
Welcome to Leith (2015)
StandardAnother padded-out US documentary about a delusional white guy. This one had similar flaws to Prophet’s Prey, too much atmospheric footage and staged drama and not enough insight. Leith is a tiny rural town in North Dakota, and by tiny I mean 24 people including children, that unfortunately had a high profile white supremacist move in. Continue reading
My Love Don’t Cross That River (Nim-a, geu-gang-eul geon-neo-ji ma-o) (2014)
StandardCan you be overwhelmed by a film you don’t really like? I just walked out of this South Korean documentary. The cinema was packed, I was in the middle of a row. For twenty minutes I struggled with the urge to flee, not wanting to disturb the people around me. Leaving was such a relief. I’m sitting here outside the Kino, still shaking, wanting to cry. Continue reading
Day two – finding fellow MIFF tragics
StandardThree films today, all solid without any blowing my hair back. The Red Army (US/Russian doco about the Soviet national ice hockey team), My Skinny Sister (Swedish observational drama about childhood and eating disorders) and Prophet’s Prey (US doco about self-appointed fundamentalist polygamous Mormon prophet and abuser Warren Jeffs).
At one of my screenings I made a MIFF friend. Jenny was a few seats away and, like me, had her MIFF essentials in hand – a mobile phone and a coffee. We got chatting and she is a regular 50-film watcher. We compared notes so far and she gave me some recommendations that might make me shift a film or two around. Continue reading
Prophet’s Prey (2015)
StandardSome stories deserve to be told because they are so outrageous you wouldn’t believe they could really happen. This is one of those. When Joseph Smith, the ‘prophet’ of the Latter-day Saints, retracted his revelation requiring polygamy, ostensibly because of a new revelation from God, but coincidentally after societal and governmental censure and prosecution, groups of fundamentalists broke with the church to set up their own polygamous colonies. One, at least, of those remains today, led by the Jeffs family. Continue reading
My Skinny Sister (Min lilla syster) (2015)
StandardI wanted to really love this Swedish film. It had great bones, interesting characters, interesting topic, an unflinching gaze and a strong central performance from the 12-ish year old lead. It is the story of her character, Stella, as she watches her sister Katja, the skinny sister of the title, struggle with the rigours of competitive figure skating and, slowly we discover, an eating disorder. Continue reading