On the surface, this may seem like a standard arthouse movie about 1950s Soviet life. As it is, this small but intense story of two canteen workers in a secret Soviet research institute is hard to look away from but, when you learn more about the DAU project, it becomes remarkable.
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Flashing coloured lights, an ominous score and an intense and tear-stained performance by a small ensemble cast make Amy Seimetz’s second feature a frustrating and memorable experience. Its seemingly prescient exploration of a pandemic of belief has many nuances that reflect current social crises.
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There is nothing epic about this film; it tells a small story of a teenage girl struggling to survive abandonment but it feels real and universal.
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Director Visar Morina perfectly captures the uneasy dislocation of being a foreigner in a structured and comfortable society, using every frame to push us into a growing paranoia.
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You know if Steven Oliver is narrating, this is going to be a warm and fabulous ride through a serious subject. Taking the 250th anniversary of the landing of Captain Cook in Australia as a jumping off point, Indigenous artists create modern-day songlines that voice an Indigenous view of colonisation.
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There are probably many people like Dr Jess Ting in the world, just going about their work but, because of their empathy and dedication to making a difference, they change people’s lives.
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Notable for being the most significant acting performance by Miles Davis, Rolf de Heer’s feel-good, boy-has-a-dream drama seems like a film from another era.
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This solid and compelling drama from Jan Komasa wraps a story about morality and choice around the limitations of class and culture in rural Poland.
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I wanted to like this documentary about “the first all-female band who wrote their own songs and played their own instruments to reach number one in the Billboard album charts.” This fact in itself is worthy of celebration. That this feat occurred in 1982 and hasn’t been repeated is appalling and I was hoping that this documentary by Alison Elwood might shine a light on “why The Go-Go’s?”
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Kuessipan sneaks up on you. For awhile it feels like a familiar story of race and class and wanting freedom from the confines of family and community as you teeter on the precipice of adulthood.
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