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A nostalgic trip to the 90s, Strange Days reminds us of a time when we thought that Y2K would end the world. Continue reading

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A nostalgic trip to the 90s, Strange Days reminds us of a time when we thought that Y2K would end the world. Continue reading

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On the surface, this is a charming and adept musical odyssey of Scottish folk music. Aidan Moffat, lead singer of band Arab Strap that gained some fame in the 90s, has developed an interest in traditional ballads. Continue reading

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This slow and bleakly beautiful meditation on the decay and desolation of modern day Russia is framed around the story of one broken family. Continue reading

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This is essentially a one-hander for nonogenarian Harry Dean Stanton who beautifully captures the fragility and complexities of old age. Continue reading

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AIDS and activism in the 80s and 90s are inextricably entwined. Grassroots organisations like ACT UP were at the forefront of multifaceted agitation, lobbying, education and shock tactics to reduce the spread of the virus and increase research into treatment. Continue reading

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This is how revenge movie should be made. Turkish director Fatih Akin takes a story that could have been plucked from today’s news and exposes the personal cost of racism. Continue reading

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My first Indonesian, feminist, spaghetti western. Marlina (Marsha Timothy), a young widow living alone, defends herself with cool insouciance against a rapacious gang. Continue reading

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An artful satire about collective responsibility and contemporary art, The Square is clever and sometimes challenging but overlong in delivering its message. Continue reading

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I think we are supposed to feel sympathy for Polish artist Wladyslaw Strzeminski (Boguslaw Linda) whose avant-garde art saw him fall out of favour under socialism in the 40s. Continue reading

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Tehran Taboo uses rotoscope animation to tell the story of four people unable to have choice in their lives due to the religious and social limitations of modern day Iran. Continue reading